The last survivor mentality recalls Matheson's classic I AM LEGEND. But when they reach their destination, what kind of paradise do these survivors offer? As they make their way to a military outpost and a supposed "cure to infection" (the term "zombie" is never actually used), the family unit grows and the bonds tighten. Jim and Selena team up with Frank (Brendan Gleeson) and Hannah (Megan Burns), a father-daughter team trying to start anew by keeping the family unit intact. After all, what would be the point of going on if there wasn't anything worth going on for? In a memorable poignant moment, and there are many, he tells Selena, "You don't think I get it, but I do." First, he learns from Selena (Naomie Harris) who tells him that everything else has been wiped out and the only thing worth surviving for is survival itself.
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The zombies don't like architecture, they like flesh.Įventually, Jim learns how to survive through his few contacts. The buildings are still pristine, however. I guess either cleanup crews had done some work or there just wasn't much left (this is assuming it's not a gaping plot hole). Funny he doesn't find any patients slaughtered in their hospital beds or bodies lying in the street. It seems the rage virus, which turns people into bloodthirsty zombies, for lack of a better term, has spread across all of England and possibly the world.
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All the buildings are standing as they did before, but there is no one left. He ventures outdoors and it's like he stepped into a netherworld. He wakes up to find the hospital deserted. He had the good fortune to be in a coma when everything went down. Seems he was a bike messenger who got plastered by a car shortly before the violence erupted. The animals infect the room and threaten to make animals of us all, vomiting blood and tearing apart everyone who gets in their way.Ģ8 days later, Jim (Cillian Murphy) wakes up in a hospital bed. When they demand to know with what, he answers desperately, "rage." Too late. He tells them that in order to perfect the cures for the worst elements of society, the virus needs to be understood. They don't stop to wonder why the chimp is strapped down, or why he seems so oddly contented with the horrors displayed before him.Ī scientist who stumbles across the pseudo-terrorists urges them to stop. When they see a chimpanzee strapped down to a table watching a half dozen monitors showing images of violence and hatred, they see the inhuman suffering inflicted on the poor animal. Unfortunately, as is often the case in activism, they haven't read the fine print. In this case, it's a group of animal rights activists who try to liberate some lab animals. This particular apocalypse is triggered ironically by a compassionate group who want to save the lives of those who can't stand up for themselves.
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Danny Boyle's 28 DAYS LATER takes the post-apocalyptic ideas of Richard Matheson, Stephen King and George Romero and applies them to a world where it all seems perfectly believable, even if we've been down this same road many times before. You know you're living in crazy times when a zombie film is so oddly applicable to modern-day society.